One of many biggest Iranian movie administrators Dariush Mehrjui and his spouse Wahide Mohammadifar had been brutally stabbed to demise on Saturday night. The couple’s our bodies had been discovered of their residence close to Tehran. Shortly earlier than her demise, the girl gave an interview to the native press, through which she famous that their households had been threatened.
Alborz provincial chief decide Hossein Fazeli-Harikandi mentioned Mehrjui and Mohammadifar “had been killed by a number of stab wounds to the neck.” Particulars had been collected within the materials of The Guardian.
It’s famous that a couple of hours earlier than his demise at roughly 21:00 native time, the director corresponded together with his daughter. He despatched her a textual content message inviting her to dinner. When the lady arrived an hour and a half later to go to her dad and mom at their residence in Karaj, west of Tehran, she discovered her mom and father already useless with deadly wounds on their necks.
Later that day, police mentioned there have been “no indicators of compelled entry on the crime scene,” including that “the door to their residence was not broken.” Nevertheless, regulation enforcement officers nonetheless emphasised that that they had discovered “traces” that, of their opinion, “are associated to the killer.”
The model of the homicide is additional strengthened by the truth that the subsequent day, Sunday, the Etemad newspaper revealed an interview with the director’s spouse, which she gave shortly earlier than her demise. Wahida Mohammadifar admitted to journalists that her household was threatened and their home was robbed.
On the similar time, the chief decide famous: “The investigation confirmed that no complaints had been filed relating to unlawful entry into the Mehrjui household villa and theft of their belongings.”
Iran’s Minister of Tradition Mohammad-Mehdi Esmaili, after the information of Mehrjui’s demise, known as the director “one of many pioneers of Iranian cinema” and his works “everlasting works.”
Mehrjui was born in 1939 in Tehran, studied philosophy in the USA after which returned to Iran, the place he based a literary journal and produced his first movie in 1967, Diamond 33, a parody of the James Bond sequence. The 83-year-old director is inextricably linked with the Iranian new wave of cinema, and his 1969 movie “Cow” was one of many first movies of this motion. He went on to make various acclaimed movies, together with Mr. Gullible and The Cycle, earlier than leaving Iran after the 1979 Islamic Revolution.
In 1980-1985 he lived in France, the place he labored on the documentary movie “Journey to the Land of Rimbaud.” Returning to Iran, he achieved field workplace success with the movie “Rendari” in 1987. Throughout the Nineteen Nineties, Mehrjui additionally portrayed the lives of girls within the movie Sara, Pari and Leila, a melodrama a few barren lady who encourages her husband to marry another person.
For Mehrjui, as he himself famous, cinema was like “poetry that can’t take sides,” and he remained adamant that “artwork mustn’t grow to be an instrument of propaganda.” Along with his movie profession, he translated the works of the French playwright Eugene Ionesco and the German Marxist thinker Herbert Marcuse into Persian.
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